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| 2002 | Panic Room | Re-recording mixer | Directed by David Fincher |
| 2001 | Amadeus Director's Cut | Re-recording mixer | Directed by Milos Forman |
| 2001 | Spirit of Yosemite | Re-recording mixer | Directed by David Vassar |
| 2000 | Autumn in New York | Re-recording mixer | Directed by Joan Chen |
| 1999 | Fight Club | Re-recording mixer | Directed by David Fincher |
| 1997 | The Game | Re-recording mixer | Directed by David Fincher |
| 1996 | Mozart: Adagio for Glass Harmonica From "A Different Mozart" album |
Arranger | Executive produced by Dawn Atkinson |
| 1996 | Race the Sun | Re-recording mixer | Directed by Charles T. Kanganis |
| 1991 | At Play in the Fields of the Lord | Re-recording mixer | Directed by Hector Babenco |
| 1990 | Cadillac Man | Re-recording mixer | Directed by Roger Donaldson |
| 1990 | The Guardian | Re-recording mixer | Directed by William Friedkin |
| 1990 | Henry and June | Re-recording mixer | Directed by Philip Kaufman |
| 1990 | Mountains of the Moon | Re-recording mixer | Directed by Bob Rafelson |
| 1989 | Common Threads: Stories from the Quilt | Music supervisor | Directed by Rob Epstein |
| 1988 | Break of Dawn | Re-recording mixer | Directed by Isaac Artenstein |
| 1988 | Eat a Bowl of Tea | Music supervisor | Directed by Wayne Wang |
| 1988 | Ernest Saves Christmas | Re-recording mixer | Directed by John R. Cherry, III |
| 1988 | Pin | Re-recording mixer | Directed by Sandor Stern |
| 1988 | The Unbearable Lightness of Being | Re-recording mixer | Directed by Philip Kaufman |
| 1987 | Ernest Goes to Camp | Re-recording mixer | Directed by John R. Cherry, III |
| 1986 | Blue Velvet | Re-recording mixer | Directed by David Lynch |
| 1986 | The Mosquito Coast | Re-recording mixer | Directed by Peter Weir |
| 1986 | The Nutcracker | Music coordinator | Directed by Carroll Ballard |
| 1986 | River's Edge | Re-recording mixer | Directed by Tim Hunter |
| 1985 | Mark Isham: Film Music Album |
Co-producer, mixer |
Produced by Mark Isham |
| 1984 | Amadeus | Re-recording mixer | Directed by Milos Forman |
| 1984 | Amadeus Soundtrack Album | Mixer | Produced by John Strauss |
| 1984 | Mrs. Soffel | Music supervisor | Directed by Gillian Anderson |
| 1983 | Never Cry Wolf | Music producer and supervisor, re-recording mixer |
Directed by Carroll Ballard |
| 1983 | The Right Stuff | Re-recording mixer, composer of add'l music |
Directed by Philip Kaufman |
| 1981 | King Lear Theater production |
Sound Designer | Directed by Jack O'Brian |
| 1979 | The Black Stallion | Associate film editor, sound editor |
Directed by Carroll Ballard |
| 1977 | Lulu | Sound designer | Directed by Ronald Chase |
| 1977 | Star Wars | Assistant film editor | Directed by George Lucas |
| 1975 | Fighting For Our Lives | Re-recording mixer | Directed by Glen Pearcy |
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A printer-friendly credits list can be found here. |